Monday, November 09
10-12h (GMT -3 Brasiília)
G-Ubimus Brainstorm meeting (PT Only)
Everyone is welcome to join us on the Meet platform. This activity will not be broadcast and will be held in Portuguese only.
13-13:30 Opening
13:30-14:30 Keynote speaker
The ubiquity of guitar effects to sound processing.
Joseph Timoney (Maynooth University, Ireland)
14:30h – Artistic presentations
Lyapunov Time Experiment (Ubimus Performance)
Luzilei Aliel and Daniel Oliveira (University of São Paulo, Brazil)
Playsound Agora (Ubimus Performance)
Ariane Stolfi (Federal University of Southern Bahia, Brazil)
Tuesday, November 10
13-15h LIVE SESSION 1: Questions and Answers (EN)
Of Renouncing to do Something Grandiose
Guido Kramann (University of Brandenburg)
The potential role of the Internet-of-musical-things in therapeutic applications.
Joseph Timoney, Damien McEvoy and Azeema Yaseen (Maynooth University)
Musical Smart City: Perspectives on Ubiquitous Sonification
Pedro Sarmento, Ove Holmqvist and Mathieu Barthet (Queen Mary University of London)
Everyday Use of the Internet of Musical Things: Intersections with Ubiquitous Music.
Rômulo Vieira, Flávio Schiavoni (Federal University of São João del Rei)
and Mathieu Barthet (Queen Mary University of London)
Wednesday, November 11
13-15h LIVE SESSION 2: Questions and Answers (PT and EN)
RoboMus: Robotic Musicians Synchronization.
Higor Camporez, Jair Silva, Leandro Costalonga and Helder Rocha (NESCoM, Federal University of Espirito Santo)
Interactivity/interpassivity and presence/absence in the
Ntrallazzu cycle.
Marcello Messina (NAP, Federal University of Paraiba) and Leonardo Vieira Feichas (Federal University of Acre)
Smart Musical Mats: a ubiquitous musical artefact to support elementary education.
Thiago Santos, Denise Filippo and Mariano Pimentel (Federal University of the State of Rio de Janeiro)
Can Pipes-and-FIlters architecture help creativity in Music
Rômulo Vieira and Flávio Schiavoni (Federal University of São João del Rei)
Thursday, November 12
10-12h
G-Ubimus Meeting (EN)
Everyone is welcome to join us on the Meet platform. This activity will not be broadcasted.
13-15h LIVE SESSION 3: Questions and Answers (Mainly PT)
Experiments on technology-assisted free improvisational practices with an ensemble of saxophone.
Miguel Clemente, Manuel Falleiros, Tiago Tavares and José Fornari (University of Campinas)
Comprovisação e interação leigo-músico nas práticas criativas cognitivo-ecológicas: The Maxwell Demon.
Luzilei Aliel (University of São Paulo) and Damián Keller (NAP, Federal University of Acre)
A Ferramenta SoundSphere no Contexto da Exploração e da Criação Sonora: Um Estudo de Caso de Música Ubíqua dentro da Sala de Aula.
Ivan Simurra, Damián Keller, Brendah Freitas, Jeú Ferreira, César Leite (NAP, Federal University of Acre), Marlon Teixeira, Willian Ramon Barbosa Bessa (NAP, Federal Institute of Acre)
Features Extraction and Segmentation for an Assistive Musical Interface.
Higor Camporez, Yasmin Freitas, Jair Silva, Leandro Costalonga and Helder Rocha (NESCoM, Federal University of Espirito Santo)
Friday, November 13
13-14h Keynote Speaker
Pesquisa e aplicações em música ubíqua no campo Educacional
Helena Lima (Cap, Application School, Federal University of Rio Grande do Sul)
14h – Artistic Presentations
inFracta: Dialogue processes in a multi-modal environment (Ubimus Performance)
Pessanha, T. et al. (University of Campinas)
Contracapas for remote double-bass and effects: Creative semantic anchoring, corpus linguistics and remote interaction (Ubimus Performance)
Marcello Messina and Carlos Mario Gómez Mejía (NAP, Federal University of Paraíba)
14:30 CLOSING and ANNOUNCEMENTS of future g-ubimus projects
All the presentations of the papers are prerecorded and it will be available on the Ubimus Youtube Channel from the 9th of November onward. All the events in this program will be live broadcasted on the Ubimus Youtube Channel. This will give you the chance to reflect upon what has been presented in the videos and make the most of the Questions and Answer Live Sessions with the Authors.
About the keynote Speakers
Dr. Maria Helena de Lima is a Full Professor in the Department of Expression and Movement / Music Area at the College of Application at UFRGS – Federal University of Rio Grande do Sul (2004). She works as a researcher in Basic Education in the areas of everyday musical creativity; Musical development and learning; Multi-inter-transdisciplinary research in Basic Education; Popular Education; Popular culture; Musical semantics; Music education and information and communication technologies; Aspects and phenomena involving society, technologies, information, which reflect in the educational fields. Since 2010 she is a member of the Ubiquitous Music Research Group – G-ubimus (Ubiquitous Music Group) AND she was the organizer of the I Ubimus Workshop in 2010 in Florianópolis
Dr. Joe Timoney studied Electronic Engineering and completed his PhD in adaptive signal processing. He joined the Dept. of Computer Science at Maynooth University in 1999. He teaches on undergraduate programs in Computer Science and in Music Technology. His research interests are based in the area of audio signal processing, with a focus on musical sound synthesis and the digital modelling of analogue subtractive synthesis. He has supervised a number of PhD students in the fields of Audio analysis and Digital Audio watermarking. Additionally, he has worked on EI innovation vouchers and a Commercialisation project on Watermarking. In 2003 he spent a 3 month research visit at ATR laboratory in Kyoto, Japan, and in 2010 made a research visit to the College of Computing at Zhejiang University, Hangzhou, China. He is a member of the Audio Engineering Society. Alongside his academic work, he also is a keen DIY electronics enthusiast and has built a number of synthesizers and drum machines. He participates each July in the Dublin Maker Fair as part of the NUI Maynooth team.
Selected papers
- Of Renouncing to do Something Grandiose.
Guido Kramann - RoboMus: Robotic Musicians Synchronization.
Higor Camporez, Jair Silva, Leandro Costalonga and Helder Rocha. - Experiments on technology-assisted free improvisational practices with an ensemble of saxophone.
Miguel Clemente, Manuel Falleiros, Tiago Tavares and José Fornari. - Interactivity/interpassivity and presence/absence in the Ntrallazzu cycle.
Marcello Messina and Leonardo Vieira Feichas. - Comprovisação e interação leigo-músico nas práticas criativas cognitivo-ecológicas: The Maxwell Demon.
Luzilei Aliel and Damián Keller - Lyapunov Time Experiment.
Luzilei Aliel and Daniel Oliveira. - The potential role of the Internet-of-musical-things in therapeutic applications.
Joseph Timoney, Damien McEvoy and Azeema Yaseen. - Features Extraction and Segmentation for an Assistive Musical Interface.
Higor Camporez, Yasmin Freitas, Jair Silva, Leandro Costalonga and Helder Rocha. - Playsound Agora.
Ariane Stolfi. - InFracta: Dialogue Processes in a Multi-modal Environment. Thales Roel P. Pessanha, Guilherme Zanchetta, Thiago Rossi Roque, Lucas Bertoloto Pereira, Gabrielly Lima de Oliveira, Bruna Pinheiro, Renata Paulino and Tiago Fernandes Tavares.
- Can Pipes-and-FIlters architecture help creativity in Music
Rômulo Vieira and Flávio Schiavoni. - Smart Musical Mats: a ubiquitous musical artefact to support elementary education.
Thiago Santos, Denise Filippo and Mariano Pimentel. - Musical Smart City: Perspectives on Ubiquitous Sonification. Pedro Sarmento, Ove Holmqvist and Mathieu Barthet.
- A Ferramenta SoundSphere no Contexto da Exploração e da Criação Sonora: Um Estudo de Caso de Música Ubíqua dentro da Sala de Aula.
Ivan Simurra, Damián Keller, Brendah Freitas, Jeú Ferreira, César Leite, Marlon Teixeira and William Bessa. - Contracapas for remote double bass and effects: Creative Semantic Anchoring, Corpus Linguistics and Remote Interaction.
Marcello Messina and Carlos Mario Gómez Mejía. - Everyday Use of the Internet of Musical Things: Intersections with Ubiquitous Music.
Rômulo Vieira, Flávio Schiavoni and Mathieu Barthet.